The De-Tribalized Generation: The East Africa Hip-Hop Artist
APA Citation: Wabende, K., & Were, M. N. (2021). The De-Tribalized Generation: The East Africa Hip-Hop Artist. Ngano: The Journal of Eastern African Oral Literature, 2, 55-71.
Abstract
The East African urban setting has produced a generation that lives within cultural
grey areas that have no clear ethnic leanings. The youth who inhabit these urban
spaces are caught in a world with forces that pull them in different directions. Their
domestic space consists of parents from an older generation with strong affiliation to
their ethnic groups, yet they still live among neighbors with different ethnic affiliation.
They also live in a country that calls for national unity but is daily bombarded with
ethnic rhetoric from politicians. The artists of this new generation are thus confronted
with problems unique to an environment faced with many ambiguities such as lack of
clear ethnic affiliations. They therefore seek to give identity and meaning to their
existence, and to define their world as urbanites against the background of their ethnic
origins. This paper examines the cosmopolitan thinking that has extended beyond
ethnic and national boundaries among Kenyan hip-hop musicians. It explores the
artistic demolition of ethnic and national boundaries by these hip-hop musicians.